UA-24984069-1 ALL POET POETRY: 2011

Wednesday, September 21, 2011

Love Poetry


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Love poems are usually emotionally written poems. Love poetry can easily be said to be the most popular form of poetry. When it comes to love poetry it is a very broad from of poetry.
The most commonly written love poems are about the poet's love for a person that they have strong feelings for. This person may be their girlfriend, boyfriend or just a friend. A birthday poem for a mother or father can also be classified as love poetry.
Love poems shouldn't be confused with erotic poems. Erotic poems are poems written in a lustful way. These poems can describe sexual things that the poet has done or wish to do. Just a few words in a poem can determine what it will be classified as.
Love poems can be written for many different purposes. It can be included in a love letter, valentine card, birthday card, get well letter as well as for many other purposes. This is a big reason why love poems are very popular and often written.
Although love poetry is often written like most poetry it may never get read nor known about by another person other than the poet who wrote it especially if it's written for someone. Like with diaries and books of secrets poets write expressing how they feel with the intent that no one will ever read what they have written. This can help the poet embrace their feelings or do the opposite and help them to release their feelings. Lastly it can be simply written for someone they admire

Love Poems


POETRY


LOVE

You touch me and hug me
So deep
And I feel that the world
Is no longer existent
It is quintessentially changed
It is composed only of us
Me and you
And our love
Can you be the one for me?
Can you be the love of my life?
I feel you in my whole molecular structure
And we can create a sacred space, a new Sacred Eden
I'm yours
And nothing else matters
And we become entwined as never
Especially when
The life explodes
In both of us
Enlightening our souls
And sanctifying our bodies,
These temples belonging to our Lord

LOVE'S ILLUSION

You can use your illusion
And enter my dream
Or it can be
Your own dream illusion
If you are not worried
That it will disappear
Like a bubble
Someday
Without leaving
Some traces of reality
But don't forget that
The ideal perfect love
Is more fragile
Than the illusion itself

MEMORIES

Our love is mixed with algae...
It is tasted with salt.
It is the first fruit of a great struggle for our freedom...
Our love,
sometimes like a spring breeze....
sometimes like a hurricane....

We can see the green waves crashing
And cooling the sand....

Between this old hot sand and the new salty waves
We can feel our perfect love,
We can see its ripples
And its shifting designs, left behind by the tide
And sculpted by our steps......

We can feel our angel,
That angel with injured wings,
We can hear him, still screaming,
We can see him in a sphere of air,
So well hidden.

Or maybe we are enclosed
In our sphere of reality,
Seemingly a dodecahedral geodesic sphere....

As though being hidden in psychological twilight.....

However,
We can hear the sound
That sound just like a screaming echo....

METAPHORICAL MEANING

Thinking that good and bad
Are so relative
While being incapable to keep
The moral utterances
For the corresponding relational
Statements
The cognitive statements
Or holding that moral judgments
Not for expressing beliefs
Accepting that our deep truths
Are universal
Or accepting everything
And denying the power of reason
Or seeking the good by using
Our power of reason,
Using our unfolding wisdom
And insightful enchantment
Or living in life
As both joy and despair
Being in metaphorical meaning
Apart from ego and absolutes.

APPASSIONATA

The piano holds in his core
The Beethoven's 'Appassionata'
The piano keys are virgin teeth
Ripping the melody
Into sounds
Allegro Assai
Andante con moto - attacca
Allegro, ma non troppo - Presto
We eat those sounds
for making love continuously,
Yes, my love,
seemingly continuously
In the river of life
Flowing in cascades
Our feelings are sometimes orchids
Some other time they are only
Possession and control
Of something
Which epitomizes
The conflict
Between both the beauty and danger....
Suddenly
I need to say ''I love you''
And I do not need to change the meaning. of these words.

Thursday, September 15, 2011

Saturday, September 10, 2011

Friday, September 9, 2011

Friday, September 2, 2011

Poetatic by S.A Sajoo

                                                                                                                                                                                      


















Saturday, August 20, 2011

bhule shah.


Poet comment,s


Image



Bulleh Shah's Poetry


Bulleh Shah's Poetry







Image

Poet comment,s

Jey mein vekhan mere bahir Tu ain
Tey Mere under kon samana
Jey mein vekhan mere under tu ain
Te taan muqayad jana
Bus bahir Tu ain mere man wich Tu ain
Mein v Tu, tey Tu v Tu ain
Wich Bulha kon namana
Nafs paleed, paleed jey keeta
Bulhaya asal paleed tey na sey
La makan makan aye sada
Eithey aan butan wich phasay

Friday, August 19, 2011

Dr. Allama Muhammad Iqbal----NAYA SHIWALA - 2




Poet comment,s











NAYA SHIWALA - 2

AA GHERIYYAT KAY PARDAY IK BAR PHIRR UDTHA DEN
BICHROON KO PHIRR MILA DEN' NAQASH E DOOI MITA DEN
SOONI PARRI HUI HAY MUDAT SAY DIL KI BASTI
AA IK NAYA SHIWALA IS DAIS MEIN BANA DEN
DUNYA KAY TERTHOON SAY OONCHA HUWA APNA TERATH
DAMAN E ASMAN SAY IS KA KALAS MILA DEN
HER SUBHA UDTH KAY GAEIN MANTAR WO MEEDTHAY MEEDTHAY
SARAY PUJARIOON KO MAYE PEET KI PILA DEN

SHAKTI BHI' SHANTI BHI BHUGTOON KAY GEET MEIN HAY
DHARTI KAY BASIOON KI MUKTI PAREET MEIN HAY

Dr. Allama Muhammad Iqbal

Friday, August 5, 2011

William Shakespeare - Love ART OF EUROPE

ATR OF EUROPE





Tell me where is Fancy bred, 
Or in the heart or in the head! How begot, 
how nourished? Reply, 
reply. It is engender'd in the eyes,
 With gazing fed;
 and Fancy dies In the cradle where it lies.
Let us all ring Fancy's knell; I'll begin it, - Ding, 
dong, bell.  All.  Ding, dong, bell.

Thursday, August 4, 2011

ART OF EUROPE


ART OF EUROPE




William Shakespeare -

O me!
 what eyes hath love put in my head Which have no correspondence with true sight: 
Or if they have, 
where is my judgement fled That censures falsely what they see aright?
 If that be fair whereon my false eyes dote,
 What means the world to say it is not so?
 If it be not, then love doth well denote Love's eye is not so true as all men's: 
No, How can it? O how can love's eye be true, 
That is so vex'd with watching and with tears? 
No marvel then though I mistake my view: 
The sun itself sees not till heaven clears.  
O cunning Love! with tears thou keep'st me blind Lest eyes well-seeing thy foul faults should find!

Wednesday, August 3, 2011

The Indian Serenade

The Indian Serenade


I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright.
I arise from dreams of thee,
And a spirit in my feet
Has led me -who knows how?
To thy chamber-window, Sweet!

The wandering airs they faint
On the dark, the silent stream -
The champak odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart,
As I must die on thine,
O beloved as thou art!

Oh lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast;
Oh press it close to thine again,
Where it will break at last!

Tuesday, August 2, 2011

Music, When Soft Voices Die

Music, When Soft Voices Die




Music, when soft voices die,
Vibrates in the memory -
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the beloved's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

Monday, August 1, 2011

Love's Philosophy


Love's Philosophy






The fountains mingle with the river
And the rivers with the ocean,
The winds of Heaven mix for ever
With a sweet emotion;
Nothing in the world is single,
All things by a law divine
In one spirit meet and mingle -
Why not I with thine?

See the mountains kiss high Heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea -
What are all these kissings worth
If thou kiss not me?

Sunday, July 31, 2011

A Lover's Complaint,,,William Shakespeare


William Shakespeare (1564-1616 / Warwickshire / England)


William Shakespeare



A Lover's Complaint



FROM off a hill whose concave womb reworded
A plaintful story from a sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the sad-tuned tale;
Ere long espied a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow's wind and rain.

Upon her head a platted hive of straw,
Which fortified her visage from the sun,
Whereon the thought might think sometime it saw
The carcass of beauty spent and done:
Time had not scythed all that youth begun,
Nor youth all quit; but, spite of heaven's fell rage,
Some beauty peep'd through lattice of sear'd age.

Oft did she heave her napkin to her eyne,
Which on it had conceited characters,
Laundering the silken figures in the brine
That season'd woe had pelleted in tears,
And often reading what contents it bears;
As often shrieking undistinguish'd woe,
In clamours of all size, both high and low.

Sometimes her levell'd eyes their carriage ride,
As they did battery to the spheres intend;
Sometime diverted their poor balls are tied
To the orbed earth; sometimes they do extend
Their view right on; anon their gazes lend
To every place at once, and, nowhere fix'd,
The mind and sight distractedly commix'd.

Her hair, nor loose nor tied in formal plat,
Proclaim'd in her a careless hand of pride
For some, untuck'd, descended her sheaved hat,
Hanging her pale and pined cheek beside;
Some in her threaden fillet still did bide,
And true to bondage would not break from thence,
Though slackly braided in loose negligence.

A thousand favours from a maund she drew
Of amber, crystal, and of beaded jet,
Which one by one she in a river threw,
Upon whose weeping margent she was set;
Like usury, applying wet to wet,
Or monarch's hands that let not bounty fall
Where want cries some, but where excess begs all.

Of folded schedules had she many a one,
Which she perused, sigh'd, tore, and gave the flood;
Crack'd many a ring of posied gold and bone
Bidding them find their sepulchres in mud;
Found yet moe letters sadly penn'd in blood,
With sleided silk feat and affectedly
Enswathed, and seal'd to curious secrecy.

These often bathed she in her fluxive eyes,
And often kiss'd, and often 'gan to tear:
Cried 'O false blood, thou register of lies,
What unapproved witness dost thou bear!
Ink would have seem'd more black and damned here!'
This said, in top of rage the lines she rents,
Big discontent so breaking their contents.

A reverend man that grazed his cattle nigh--
Sometime a blusterer, that the ruffle knew
Of court, of city, and had let go by
The swiftest hours, observed as they flew--
Towards this afflicted fancy fastly drew,
And, privileged by age, desires to know
In brief the grounds and motives of her woe.

So slides he down upon his grained bat,
And comely-distant sits he by her side;
When he again desires her, being sat,
Her grievance with his hearing to divide:
If that from him there may be aught applied
Which may her suffering ecstasy assuage,
'Tis promised in the charity of age.

'Father,' she says, 'though in me you behold
The injury of many a blasting hour,
Let it not tell your judgment I am old;
Not age, but sorrow, over me hath power:
I might as yet have been a spreading flower,
Fresh to myself, If I had self-applied
Love to myself and to no love beside.

'But, woe is me! too early I attended
A youthful suit--it was to gain my grace--
Of one by nature's outwards so commended,
That maidens' eyes stuck over all his face:
Love lack'd a dwelling, and made him her place;
And when in his fair parts she did abide,
She was new lodged and newly deified.

'His browny locks did hang in crooked curls;
And every light occasion of the wind
Upon his lips their silken parcels hurls.
What's sweet to do, to do will aptly find:
Each eye that saw him did enchant the mind,
For on his visage was in little drawn
What largeness thinks in Paradise was sawn.

'Small show of man was yet upon his chin;
His phoenix down began but to appear
Like unshorn velvet on that termless skin
Whose bare out-bragg'd the web it seem'd to wear:
Yet show'd his visage by that cost more dear;
And nice affections wavering stood in doubt
If best were as it was, or best without.

'His qualities were beauteous as his form,
For maiden-tongued he was, and thereof free;
Yet, if men moved him, was he such a storm
As oft 'twixt May and April is to see,
When winds breathe sweet, untidy though they be.
His rudeness so with his authorized youth
Did livery falseness in a pride of truth.

'Well could he ride, and often men would say
'That horse his mettle from his rider takes:
Proud of subjection, noble by the sway,
What rounds, what bounds, what course, what stop
he makes!'
And controversy hence a question takes,
Whether the horse by him became his deed,
Or he his manage by the well-doing steed.

'But quickly on this side the verdict went:
His real habitude gave life and grace
To appertainings and to ornament,
Accomplish'd in himself, not in his case:
All aids, themselves made fairer by their place,
Came for additions; yet their purposed trim
Pieced not his grace, but were all graced by him.

'So on the tip of his subduing tongue
All kinds of arguments and question deep,
All replication prompt, and reason strong,
For his advantage still did wake and sleep:
To make the weeper laugh, the laugher weep,
He had the dialect and different skill,
Catching all passions in his craft of will:

'That he did in the general bosom reign
Of young, of old; and sexes both enchanted,
To dwell with him in thoughts, or to remain
In personal duty, following where he haunted:
Consents bewitch'd, ere he desire, have granted;
And dialogued for him what he would say,
Ask'd their own wills, and made their wills obey.

'Many there were that did his picture get,
To serve their eyes, and in it put their mind;
Like fools that in th' imagination set
The goodly objects which abroad they find
Of lands and mansions, theirs in thought assign'd;
And labouring in moe pleasures to bestow them
Than the true gouty landlord which doth owe them:

'So many have, that never touch'd his hand,
Sweetly supposed them mistress of his heart.
My woeful self, that did in freedom stand,
And was my own fee-simple, not in part,
What with his art in youth, and youth in art,
Threw my affections in his charmed power,
Reserved the stalk and gave him all my flower.

'Yet did I not, as some my equals did,
Demand of him, nor being desired yielded;
Finding myself in honour so forbid,
With safest distance I mine honour shielded:
Experience for me many bulwarks builded
Of proofs new-bleeding, which remain'd the foil
Of this false jewel, and his amorous spoil.

'But, ah, who ever shunn'd by precedent
The destined ill she must herself assay?
Or forced examples, 'gainst her own content,
To put the by-past perils in her way?
Counsel may stop awhile what will not stay;
For when we rage, advice is often seen
By blunting us to make our wits more keen.

'Nor gives it satisfaction to our blood,
That we must curb it upon others' proof;
To be forbod the sweets that seem so good,
For fear of harms that preach in our behoof.
O appetite, from judgment stand aloof!
The one a palate hath that needs will taste,
Though Reason weep, and cry, 'It is thy last.'

'For further I could say 'This man's untrue,'
And knew the patterns of his foul beguiling;
Heard where his plants in others' orchards grew,
Saw how deceits were gilded in his smiling;
Knew vows were ever brokers to defiling;
Thought characters and words merely but art,
And bastards of his foul adulterate heart.

'And long upon these terms I held my city,
Till thus he gan besiege me: 'Gentle maid,
Have of my suffering youth some feeling pity,
And be not of my holy vows afraid:
That's to ye sworn to none was ever said;
For feasts of love I have been call'd unto,
Till now did ne'er invite, nor never woo.

''All my offences that abroad you see
Are errors of the blood, none of the mind;
Love made them not: with acture they may be,
Where neither party is nor true nor kind:
They sought their shame that so their shame did find;
And so much less of shame in me remains,
By how much of me their reproach contains.

''Among the many that mine eyes have seen,
Not one whose flame my heart so much as warm'd,
Or my affection put to the smallest teen,
Or any of my leisures ever charm'd:
Harm have I done to them, but ne'er was harm'd;
Kept hearts in liveries, but mine own was free,
And reign'd, commanding in his monarchy.

''Look here, what tributes wounded fancies sent me,
Of paled pearls and rubies red as blood;
Figuring that they their passions likewise lent me
Of grief and blushes, aptly understood
In bloodless white and the encrimson'd mood;
Effects of terror and dear modesty,
Encamp'd in hearts, but fighting outwardly.

''And, lo, behold these talents of their hair,
With twisted metal amorously impleach'd,
I have received from many a several fair,
Their kind acceptance weepingly beseech'd,
With the annexions of fair gems enrich'd,
And deep-brain'd sonnets that did amplify
Each stone's dear nature, worth, and quality.

''The diamond,--why, 'twas beautiful and hard,
Whereto his invised properties did tend;
The deep-green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hued sapphire and the opal blend
With objects manifold: each several stone,
With wit well blazon'd, smiled or made some moan.

''Lo, all these trophies of affections hot,
Of pensived and subdued desires the tender,
Nature hath charged me that I hoard them not,
But yield them up where I myself must render,
That is, to you, my origin and ender;
For these, of force, must your oblations be,
Since I their altar, you enpatron me.

''O, then, advance of yours that phraseless hand,
Whose white weighs down the airy scale of praise;
Take all these similes to your own command,
Hallow'd with sighs that burning lungs did raise;
What me your minister, for you obeys,
Works under you; and to your audit comes
Their distract parcels in combined sums.

''Lo, this device was sent me from a nun,
Or sister sanctified, of holiest note;
Which late her noble suit in court did shun,
Whose rarest havings made the blossoms dote;
For she was sought by spirits of richest coat,
But kept cold distance, and did thence remove,
To spend her living in eternal love.

''But, O my sweet, what labour is't to leave
The thing we have not, mastering what not strives,
Playing the place which did no form receive,
Playing patient sports in unconstrained gyves?
She that her fame so to herself contrives,
The scars of battle 'scapeth by the flight,
And makes her absence valiant, not her might.

''O, pardon me, in that my boast is true:
The accident which brought me to her eye
Upon the moment did her force subdue,
And now she would the caged cloister fly:
Religious love put out Religion's eye:
Not to be tempted, would she be immured,
And now, to tempt, all liberty procured.

''How mighty then you are, O, hear me tell!
The broken bosoms that to me belong
Have emptied all their fountains in my well,
And mine I pour your ocean all among:
I strong o'er them, and you o'er me being strong,
Must for your victory us all congest,
As compound love to physic your cold breast.

''My parts had power to charm a sacred nun,
Who, disciplined, ay, dieted in grace,
Believed her eyes when they to assail begun,
All vows and consecrations giving place:
O most potential love! vow, bond, nor space,
In thee hath neither sting, knot, nor confine,
For thou art all, and all things else are thine.

''When thou impressest, what are precepts worth
Of stale example? When thou wilt inflame,
How coldly those impediments stand forth
Of wealth, of filial fear, law, kindred, fame!
Love's arms are peace, 'gainst rule, 'gainst sense,
'gainst shame,
And sweetens, in the suffering pangs it bears,
The aloes of all forces, shocks, and fears.

''Now all these hearts that do on mine depend,
Feeling it break, with bleeding groans they pine;
And supplicant their sighs to you extend,
To leave the battery that you make 'gainst mine,
Lending soft audience to my sweet design,
And credent soul to that strong-bonded oath
That shall prefer and undertake my troth.'

'This said, his watery eyes he did dismount,
Whose sights till then were levell'd on my face;
Each cheek a river running from a fount
With brinish current downward flow'd apace:
O, how the channel to the stream gave grace!
Who glazed with crystal gate the glowing roses
That flame through water which their hue encloses.

'O father, what a hell of witchcraft lies
In the small orb of one particular tear!
But with the inundation of the eyes
What rocky heart to water will not wear?
What breast so cold that is not warmed here?
O cleft effect! cold modesty, hot wrath,
Both fire from hence and chill extincture hath.

'For, lo, his passion, but an art of craft,
Even there resolved my reason into tears;
There my white stole of chastity I daff'd,
Shook off my sober guards and civil fears;
Appear to him, as he to me appears,
All melting; though our drops this difference bore,
His poison'd me, and mine did him restore.

'In him a plenitude of subtle matter,
Applied to cautels, all strange forms receives,
Of burning blushes, or of weeping water,
Or swooning paleness; and he takes and leaves,
In either's aptness, as it best deceives,
To blush at speeches rank to weep at woes,
Or to turn white and swoon at tragic shows.

'That not a heart which in his level came
Could 'scape the hail of his all-hurting aim,
Showing fair nature is both kind and tame;
And, veil'd in them, did win whom he would maim:
Against the thing he sought he would exclaim;
When he most burn'd in heart-wish'd luxury,
He preach'd pure maid, and praised cold chastity.

'Thus merely with the garment of a Grace
The naked and concealed fiend he cover'd;
That th' unexperient gave the tempter place,
Which like a cherubin above them hover'd.
Who, young and simple, would not be so lover'd?
Ay me! I fell; and yet do question make
What I should do again for such a sake.

'O, that infected moisture of his eye,
O, that false fire which in his cheek so glow'd,
O, that forced thunder from his heart did fly,
O, that sad breath his spongy lungs bestow'd,
O, all that borrow'd motion seeming owed,
Would yet again betray the fore-betray'd,
And new pervert a reconciled maid!'






William Shakespeare

A Fairy Song---William Shakespeare






A Fairy Song





Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire!
I do wander everywhere,
Swifter than the moon's sphere;
And I serve the Fairy Queen,
To dew her orbs upon the green;
The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favours;
In those freckles live their savours;
I must go seek some dewdrops here,
And hang a pearl in every cowslip's ear.